The starting point of a fabric.
It was decided from the start that I would make it at the same time as the coveralls. Because the theme was work wear.
I’ve actually dug up old painter pants before. I didn’t research anything new this time. My accumulated knowledge directly became the product.
What I referenced
The sample source is the LEE-191Z.
What impressed me the most was the single-stitch sewing from the tool pocket on the right side to the back pocket. This specification, which was originally for efficiency, has now become an inefficient technique. To the extent that only a limited number of factories can handle it.
It only stands out to those who know; if you don't know, you'll never notice it.
I like such specifications.
The fact that this was possible this time is due to an environment where we can communicate closely and a factory that responds. It's not a story about having trouble getting what I wanted to do across. However, I don't think that's something to take for granted.
What I chose and what I discarded
The fabric is SLACK DENIM. In fact, the development of this fabric itself came from painter pants.
I didn't try to reproduce the Jelt Denim from the sample source in its original unbleached state. I reinterpreted the philosophy of Jelt Denim in FUKUBORI's own way.
Jelt is stronger with more threads. SLACK is looser with less threads, for a comfortable strength as modern clothing. It's a different answer to the same philosophy.
What is this garment?
I want people to feel the fascinating connection between past and present in clothing.
The chain-stitched hem, the puckering of the felled seams, the single-stitch running through the pocket. What was once rational is now a unique characteristic.
Most of the clothes made today are connected from the past to the present.
They will also connect to the future.